Neo-baroque



The Széchenyi Medicinal Bath in Budapest

Neo-Baroque is a term used to describe artistic creations which display important aspects of Baroque style, but are not from the Baroque period proper—i.e., the 17th and 18th centuries. It is most frequently used to describe music or architecture, but may also be applied to painting or the decorative arts.

Contents

  • 1 Neo-Baroque architecture
  • 2 Neo-baroque architects
  • 3 Neo-baroque music
  • 4 References

Neo-Baroque architecture


Alferaki Palace in Taganrog, Russia (1848).

Some examples of Neo-baroque architecture:

  • The Akasaka Palace in Tokyo, Japan
  • The Alferaki Palace in Taganrog, Russia
  • The Ashton Memorial in Lancaster, England
  • The Beloselsky-Belozersky Palace in Saint Petersburg, Russia
  • The Bode Museum in Berlin, Germany
  • The Christiansborg Palace in Copenhagen, Denmark
  • The Cluj-Napoca National Theatre in Cluj-Napoca, Romania
  • The Ortaköy Mosque in Istanbul, Turkey
  • The Dolmabahçe Palace in Istanbul, Turkey
  • The Palais Garnier (also known as the Paris Opera) in Paris, France
  • The Semper Oper in Dresden, Germany
  • The Széchenyi Medicinal Bath in Budapest, Hungary
  • The former royal palace, today the National Art Gallery of Bulgaria in Sofia, Bulgaria
  • Wenckheim Palace, Budapest, Hungary
  • Park Club, Budapest, Hungary

There are also number of post-modern buildings in a style that might be called “Baroque” – for example The Dancing House in Prague by Vlado Miluni? and Frank Gehry, who have described it as “new Baroque”.

Neo-baroque architects

  • Ferdinand Fellner (1847-1917) and Hermann Helmer (1849-1919)
  • Arthur Meinig (1853-1904)

Neo-baroque music


The foyer of the Paris Opera, built by Charles Garnier

Some examples of composers living after the Baroque period who use or have used Baroque idioms or forms (such as extensive contrapuntal passages or fugues) in their works:

  • Ludwig van Beethoven (1770–1827), German
  • Hendrik Bouman (1951–), Dutch
  • Paul Hindemith (1895–1963), German
  • Elodie Lauten (1950–), French born, later a U.S. citizen
  • Witold Lutos?awski (1913–1994), Polish
  • Gustav Mahler (1860-1911), German
  • Felix Mendelssohn (1809-1847), German
  • Wolfgang Amadeus Mozart (1756–1791), Austrian
  • Giorgio Pacchioni (1947–), Italian
  • Max Reger (1873–1916), German
  • Ottorino Respighi (1879-1936), Italian
  • Peter Schickele (1935–), U.S., under the pseudonym P. D. Q. Bach (1807-1742), by way of parody
  • Hugo Distler German
  • Johanna Senfter (1879-1961), German
  • Dmitri Shostakovich (1906-1975), Russian
  • Michael Starke (composer) (1955–), U.S.
  • Igor Stravinsky (1882–1971), Russian

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Sanford N. McDonnell

Sanford “Sandy” N. McDonnell (born 1922) is a chairman emeritus of McDonnell Douglas Corporation. McDonnell was born in Little Rock, Arkansas and is the nephew of McDonnell Aircraft founder James Smith McDonnell. McDonnell earned a bachelor’s degree in economics from Princeton University in 1945, another bachelor’s degree in mechanical engineering from the University of Colorado in 1948, and a master’s degree in applied mechanics from Washington University in St. Louis in 1954. McDonnell served in the U.S. Army during World War II, spending two years on the atomic bomb program at Los Alamos, New Mexico. McDonnell married his wife, Priscilla, in 1946. They have two children and one grandchild.

Contents

  • 1 Business career
  • 2 Civic involvement
  • 3 References
  • 4 See also

Business career

McDonnell joined McDonnell Aircraft in 1948 as a stress engineer and held a variety of positions with increasing responsibility and played key roles in the development of the F-101 Voodoo and the F-4 Phantom II jet fighters, becoming Vice President-General Manager of all combat aircraft in 1962. McDonnell Aircraft became McDonnell Douglas Corporation in 1971. Key high-level positions include:

  • McDonnell Aircraft Corp., 1948-1971
    • President, 1966-1971
  • McDonnell Douglas Corp., 1971-1997
    • Board member, 1967-1994
    • President, 1971-1972
    • President and CEO, 1972-1980
    • Chairman and CEO, 1980-1988
    • Chairman Emeritus, 1988-1997

McDonnell also served on the board’s executive committee and as chairman of the McDonnell Douglas Foundation. His focus on ethics led to the development of the company’s Code of Ethics, Philosophy and Five Keys to Self-Renewal program. McDonnell is a fellow of the American Institute of Aeronautics and Astronautics and past chairman of the board of governors of the Aerospace Industries Association.

McDonnell credits his wife, indirectly, with propelling McDonnell Douglas Corporation into a code of ethics. In 1984 he was named St. Louis Man of the Year, becoming the first son to follow his father in receiving the prestigious award. In 1967 his father, financier William A. McDonnell, and uncle, James Smith McDonnell, were co-recipients of the honor.

McDonnell is a senior member of the Frontier Group (http://www.frontierg.com), a private equity investment firm whose other senior members include Frank Carlucci (Chairman Emeritus, The Carlyle Group) and David Robb (also formerly with The Carlyle Group).

Civic involvement

McDonnell has been active in local and national organizations involved in ethics and citizenship.

When his son was 12, his wife urged him not to miss the best years of his son’s life and suggested they find something they liked to do together. So, they joined the Boy Scouts (BSA). His son became an Eagle Scout and McDonnell became a Scoutmaster. Later, McDonnell served as the national president of the Boy Scouts of America from 1984 to 1986. His experiences in Scouting, living up to the Scout Oath and Scout Law, are what led him to develop a similar positive code at McDonnell Douglas, which is now part of Boeing, which previously had a “thou shalt not” code. This positive code was largely based on 11 of the 12 points of the Scout Law, leaving out the word reverent because it was a business organization. This developed into one of the first comprehensive American business ethics training programs, complete with an 8-hour training session that was mandatory for all employees. This was in April 1983, eight years before Federal criminal law compelled many businesses to adopt similar programs. It also was a key in forming the Defense Industry Initiative. McDonnell continues supporting Scouting, signing congratulatory letters for new Eagle Scouts.

McDonnell is also founder and chair emeritus of the Character Education Partnership (CEP).

References

  • “Sanford N. McDonnell”. Boeing History. Retrieved on March 17, 2006. (general information)
  • “Annual Report 2005″. Character Education Partnership. Retrieved on March 17, 2006. (general information)

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Coolidge Estate

The Coolidge Estate, located in Topsfield,Massachusetts, is the former property of William A. Coolidge, a lawyer, financier, and art collector. Encompassing 571 acres (2.31 km2), it includes a 24-room Georgian-style mansion designed by architect Phillip Richardson in 1921, other buildings, and landscaping by the firm of Frederick Law Olmsted. The brick mansion includes 14 bedrooms, six fireplaces, parquet floors, hand-carved wood paneling, and extensive gardens. When Coolidge died in 1992, The Massachusetts Institute of Technology inherited the property. In 2000, MIT and the Essex County Greenbelt Association, a conservation organization and private, non-profit land trust, concluded an agreement to restrict further development, and the former estate, which includes over a mile of land along the Ipswich River, is now one of the largest conservation areas in private hands in Massachusetts.

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Pinhole camera



Principle of a pinhole camera. Light rays from an object pass through a small hole to form an image.


Holes in the leaf canopy project images of a solar eclipse on the ground.


A home-made pinhole camera (on the left), wrapped in black plastic to prevent light leaks, and related developing supplies.

A pinhole camera is a very simple camera with no lens and a single very small aperture. Simply explained, it is a light-proof box with a single hole in one side. Light from a scene passes through this single point and projects an inverted image on the opposite side of the box. Cameras using small apertures, and the human eye in bright light both act like a pinhole camera.

The smaller the hole, the sharper the image, but the dimmer the projected image. Optimally, the size of the aperture, should be 1/100 or less of the distance between it and the screen.

A pinhole camera’s shutter is usually manually operated because of the lengthy exposure times, and consists of a flap of some light-proof material to cover and uncover the pinhole. Typical exposures range from 5 seconds to hours and sometimes days.

A common use of the pinhole camera is to capture the movement of the sun over a long period of time. This type of photography is called Solargraphy.

The image may be projected onto a translucent screen for real-time viewing (popular for observing solar eclipses; see also camera obscura), or can expose film or a charge coupled device (CCD). Pinhole cameras with CCDs are often used for surveillance because they are difficult to detect.

Contents

  • 1 Invention of pinhole camera
  • 2 Selection of pinhole size
  • 3 Pinhole camera construction
  • 4 Calculating the f-number & required exposure
  • 5 World’s largest pinhole camera
  • 6 See also
  • 7 Notes and references
  • 8 External links

Invention of pinhole camera

As far back as the 4th century BC, Greeks such as Aristotle and Euclid wrote on naturally-occurring rudimentary pinhole cameras. For example, light may travel through the slits of wicker baskets or the crossing of tree leaves. The ancient Greeks, however, believed that vision is enabled by rays emitted from the eye. The discovery that vision results from rays entering the eye rather than being emitted by it enabled a much better understanding of the pinhole camera effect. It was the 10th-century Arab physicist, astronomer and mathematician, Ibn al-Haytham (Alhazen), who published this idea in the Book of Optics in 1021 AD. He also invented the first pinhole camera after noticing the way light was streaming through a hole in a window shutter. He improved on the camera after realizing that the smaller the pinhole, the sharper the image (though the less light). He designed the first camera obscura (Lat. dark chamber). As a side benefit of his invention, he was credited with being first man to shift physics from a philosophical to an experimental basis.

In the 5th century BC, the Mohist philosopher Mo Jing (??) in ancient China mentioned the effect of an inverted image forming through a pinhole. The image of an inverted Chinese pagoda is mentioned in Duan Chengshi’s (d. 863) book Miscellaneous Morsels from Youyang written during the Tang Dynasty (618–907). Along with experimenting with the pinhole camera and the burning mirror of the ancient Mohists, the Song Dynasty (960–1279 AD) Chinese scientist Shen Kuo (1031-1095) experimented with camera obscura and was the first to establish geometrical and quantitative attributes for it.

In the 13th century, Robert Grosseteste and Roger Bacon commented on the pinhole camera. Between 1000 and 1600, men such as Ibn al-Haytham, Gemma Frisius, and Giambattista della Porta wrote on the pinhole camera, explaining why the images are upside down. Pinhole devices provide safety for the eyes when viewing solar eclipses because the event is observed indirectly, the diminished intensity of the pinhole image being harmless compared with the full glare of the sun itself.

Around 1600, Giambattista della Porta reinvented the pinhole camera. It was not until 1850 that a Scottish scientist by the name of Sir David Brewster actually took the first actual photography with a pinhole camera. Sir William Crookes and William de Wiveleslie Abney were other early photographers to try the pinhole technique.

Selection of pinhole size

Generally, a smaller pinhole will result in sharper image resolution as the projected circle of confusion is smaller at the image plane. An extremely small hole, however, can produce significant diffraction effects and a less clear image due to the wave properties of light. Additionally, as the diameter of the hole approaches the thickness of the material in which it is punched, significant vignetting occurs, as less light reaches the edges of the image. This is due to the sides of the hole shading the light coming in at anything other than 90 degrees.

The best pinhole is perfectly round (since irregularities cause higher-order diffraction effects), and in an extremely thin piece of material. Industrially produced pinholes benefit from laser etching, but a hobbyist can still produce pinholes of sufficiently high quality for photographic work.


A photograph taken with a pinhole camera using an exposure time of 2 seconds


Some examples of photographs taken using a pinhole camera.

One often quoted method is to start with a sheet of brass shim or metal reclaimed from an aluminium drinks can, use fine sand paper to reduce the thickness of the centre of the material to the minimum, before carefully creating a pinhole with a suitably sized needle - sanding away the burrs on either side & rotating the pin as it glides in and out in order to produce a smooth circular hole.

A method of calculating the optimal pinhole diameter was first attempted by Jozef Petzval. The formula used today was evolved by Lord Rayleigh:

d=1.9\sqrt{f \lambda}

where d is diameter, f is focal length (distance from hole to photographic film) and ? is the wavelength of light, all expressed in meters.

For standard black-and-white film, a wavelength of light corresponding to yellow-green (550 nm) should yield optimum results. (For a pinhole-to-film distance of 1 inch (25 mm), this works out to a pinhole .22 mm in diameter. For 5 cm, the appropriate diameter is .32 mm. )

The depth of field is basically infinite, but this does not mean that no optical blurring occurs. The infinite depth of field means that image blur depends not on object distance, but on other factors, such as the distance from the aperture to the film plane, the aperture size, and the wavelength(s) of the light source.

Pinhole camera construction

Pinhole cameras are usually handmade by the photographer for a particular purpose. In its simplest form, the photographic pinhole camera consists of a light-tight box with a pinhole in one end, and a piece of film or photographic paper wedged or taped into the other end. A flap of cardboard with a tape hinge can be used as a shutter. The pinhole is usually punched or drilled using a sewing needle or small diameter bit through a piece of tinfoil or thin aluminum or brass sheet. This piece is then taped to the inside of the light tight box behind a hole cut through the box. An oatmeal box can be made into an excellent pinhole camera.

Pinhole cameras are often constructed with a sliding film holder or back so that the distance between the film and the pinhole can be adjusted. This allows the angle of view of the camera to be changed and also the effective f-stop ratio of the camera. Moving the film closer to the pinhole will result in a wide angle field of view and a shorter exposure time. Moving the film farther away from the pinhole will result in a telephoto or narrow angle view and a longer exposure time.

Pinhole cameras can also be constructed by replacing the lens assembly in a conventional camera with a pinhole. In particular, compact 35 mm cameras whose lens and focusing assembly has been damaged can be reused as pinhole cameras—maintaining the use of the shutter and film winding mechanisms. As a result of the enormous increase in f-number while maintaining the same exposure time, one must use a fast film in direct sunshine.

Calculating the f-number & required exposure


A pinhole camera made from an oatmeal box. The pinhole is in the centre. The black plastic which normally surrounds this camera (see picture above) has been removed.


A fire hydrant photographed by a pinhole camera made from a shoe box, exposed on photographic paper (top). The length of the exposure was 40 seconds. There is noticeable flaring in the bottom-right corner of the image, likely due to extraneous light entering the camera box.

The f-number of the camera may be calculated by dividing the distance from the pinhole to the imaging plane (the focal length) by the diameter of the pinhole. For example, a camera with a 0.02 inch (0.5 mm) diameter pinhole, and a 2 inch (50 mm) focal length would have an f-number of 2/0.02 (50/0.5), or 100 (f/100 in conventional notation).

Due to the large f-number of a pinhole camera, exposures will often encounter reciprocity failure. Once exposure time has exceeded about 1 second for film or 30 seconds for paper, one must compensate for the breakdown in linear response of the film/paper to intensity of illumination by using longer exposures.

Other special features can be built into pinhole cameras such as the ability to take double images, by using multiple pinholes, or the ability to take pictures in cylindrical or spherical perspective by curving the film plane.

These characteristics could be used for creative purposes. Once considered as an obsolete technique from the early days of photography, pinhole photography is from time to time a trend in artistic photography.

Related cameras, image forming devices, or developments from it include Franke’s widefield pinhole camera, the pinspeck camera, and the pinhead mirror.

NASA (via the NASA Institute for Advanced Concepts) has funded initial research into the New Worlds Mission project, which proposes to use a pinhole camera with a diameter of 10 m and focus length of 200,000 km to image earth sized planets in other star systems.

World’s largest pinhole camera

In an abandoned F-18 hangar at the closed El Toro fighter base in Irvine, California, a team of six photographer artists and an army of assistants created the world’s largest pinhole camera, using 1½ miles of 2″ wide black gorilla tape and 40 gallons of black spray paint to make the hangar light-tight. The aim was to make a black-and-white negative print of the Marine Corps air station with its control tower and runways, with the San Joaquin Hills in the background. The purpose was to subscribe to the Legacy Project, a photographic compilation and record of the airfield’s history before it is transformed into a giant urban park, as well as to demonstrate to the digital world the value of print making the 168-year-old way.

A huge piece of muslin cloth was made light sensitive by coating it with 80 litres of gelatin silver halide. and it was hung from the ceiling at a distance of about 80 feet (24 m) from a pinhole, just under ¼ inch in diameter, situated 15 feet (4.6 m) above ground level in the wall. The distance between the pinhole and the cloth was determined to be 80 feet (24 m) for best coverage, and the exposure time was calculated at 35 minutes. The opaque negative image print was developed in an Olympic-swimming-pool-size tray with 600 gallons of traditional developer and 1200 gallons of fixer, and was washed using fire hoses attached to two fire hydrants. The resulting finished print was nearly 108 ft (33 m) wide and 85 ft (26 m) high and was exhibited for the first time at the Art Center College of Design in Pasadena, California, on September 6, 2007. .

See also

  • Camera obscura
  • Pinhole glasses
  • New Worlds Mission
  • Spatial filter
  • Zone plate
  • Dirkon
  • Fox Talbot
  • Wolf Howard
  • Billy Childish
  • Jesse Richards
  • Pinhole camera model
  • Nautilus (its lens-less eye functions as a pinhole camera)

Notes and references

  1. ^ “Light Through the Ages”.
  2. ^ “How Islamic inventors changed the world”, The Independent. Accessed April 6, 2007
  3. ^ Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 1, Physics. Taipei: Caves Books Ltd. Page 82.
  4. ^ a b Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 1, Physics. Taipei: Caves Books Ltd. Page 98.
  5. ^ A reconsideration of Roger Bacon’s theory of pinhole images
  6. ^ History of Photography and the Camera - Pinhole Camera to Daguerreotype
  7. ^ What is a Pinhole Camera?
  8. ^ Pinhole photography history
  9. ^ Smith, Sonya (July 13, 2006). “World’s largest photo taken in defunct El Toro base hangar”. The Orange County Register.
  10. ^ The Legacy Project press release, dated June 8, 2007

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Toi Inagawa




















Toi Inagawa

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Toi Inagawa (?? ?? Inagawa Toi; 1940 - May 29, 2005) a.k.a. Yuko Inagawa (?? ?? Inagawa Yuko) was kaicho (Godfather) of the Inagawa-kai yakuza gang in Japan from 1990 until 2005. He was also 2nd socho of the Inagawa-ikka.

Inagawa was the son of Kakuji Inagawa, the gang’s founder. In 1990, he took over from Susumu Ishii to became the Inagawa-kai’s third kaicho.

Toi Inagawa died of illness in May 2005. As of October 2005, a clear successor has not emerged, but Inagawa’s son Hideki Inagawa is seen as the most likely candidate.

Preceded by
Susumu Ishii
Kaicho of Inagawa-kai
1990-2005
Succeeded by
Hideki Inagawa?

 This biographical article related to Japan is a stub. You can help Wikipedia by expanding it.

Crime bio stubThis biographical article related to crime is a stub. You can help Wikipedia by expanding it.
This article related to crime in Japan is a stub. You can help Wikipedia by expanding it.

Retrieved from “http://en.wikipedia.org/wiki/Toi_Inagawa”
Categories: Yakuza members | 1940 births | 2005 deaths | Japanese people stubs | Crime biography stubs | Japan crime stubsHidden categories: Articles lacking sources from August 2006 | All articles lacking sources

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9/11 memorial semi-truck

The Rolling Memorial is a semi-trailer truck painted with a mural intended to honor the victims of the 9/11 attacks. The project was conceived by John Holmgren of Shafer, Minnesota in the United States after hearing the song “Have You Forgotten” by country singer Darryl Worley.

An over-the-road truck driver, Holmgren transformed his 18-wheeler into the tribute with the help of a mural artist. The mural image, along with the names of the victims of the attack, were printed onto vinyl sheets and applied to the truck at a cost of nearly $40,000 USD. Holmgren sold t-shirts, toy models of the truck and other merchandise to cover expenses but has nonetheless gone into debt.

Holmgren displays the truck all over the U.S. and continues to use it to transport freight when possible. In an interview with the Star Tribune, he said “Troopers pull me over just to get a picture with the truck. Once I even got out of a ticket. The guy said, ‘I can’t give this to you, knowing what you’re doing.’” Holmgren has received emails from over 20 countries, and there are several websites devoted to his truck. He has also met with families of 9/11 victims.

An article in a trucking industry magazine RoadStarOnline says that there is a plan to donate the truck to New York City in 2006, but it is now 2007 and there is no evidence this has happened.

There are pictures of the truck at Mall of America on flickr.com. None are newer than October 2006. One picture has the caption “Gear Up sponsored this panel on the Rolling Memorial commemorating the sacrifice of the 343 on 911.”

A personal page on the social website fubar.com dated September 11, 2006, claims that the author “Kris ‘kjohnson’ Johnson” age 23 has bought the truck to add to his fleet of 6 trucks, and will display it for charities:

I went to an orientation for Magnum Transportation in Fargo ND. While I was there I met a guy who told me about this “Rolling Memorial Truck” that was for sale. His name was John Holmgren. He was buying the truck from Can Am Transportation, but when the company went under the truck got taken away from him. He put me in contact with the owner yesterday, the owner told me what he wanted for it. I called the bank got the loan and picked up the truck. I am not putting this truck on the road, it will strictly be a show truck with 50% of proceeds going to the 9/11 charities, the other 50% going to MS, Cancer, and other charities of that sort.

The truck is a 1999 Freightliner Century, It has a series 60 Detroit Diesel motor (which is 460 HP) a 13 speed Eaton Fuller Transmission, with 355 rears….The trailer is a 1998 53 foot Utility trailer with sliding tandems, the refrigeration unit is built by Thermo King INC….The Truck Number Is 911. The Trailer Number Is 2001.”

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KADY-LP


KADY-LP
Sherman, Texas
Channels Analog: 34 (UHF)
Affiliations Unknown at this time
Owner Una Vez Mas Holdings, LLC
(Una Vez Mas Sherman License LLC)
Founded May 4, 2004
(original CP date)
Former callsigns K34HQ (CP only)
Former affiliations LAT TV (2007-2008)
Transmitter Power 10 kW
Facility ID 129631

KADY-LP is a low-power television station licensed to Sherman, Texas. It transmits over UHF channel 34 and is owned by Una Vez Mas Holdings, LLC under the licensee Una Vez Mas Sherman License LLC.

Although Una Vez Mas usually affiliates its stations with Azteca America, LAT TV announced on April 10, 2007 that the station would become a LAT TV affiliate as of May 30. LAT TV has since ceased operations; KADY-LP does not appear in online TV listings. It is unknown what programming KADY-LP carries.

A construction permit for K34HQ was first issued on 5 May 2004. The station changed its callsign to KADY-LP 16 May 2007, before it was licensed.

References

  1. ^ “Growing Spanish TV Network Takes Another Big Step Towards National Coverage”. Retrieved on 2007-04-22.

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John Nugent




















John Nugent

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John Nugent may refer to:

  • John Nugent (U.S. government agent) (1821–1880), journalist and agent of United States President James Buchanan
  • John F. Nugent (1868–1931), United States Senator from Idaho
  • John Cullen Nugent, Canadian sculptor
  • John Nugent Fitch, botanical illustrator
Disambiguation Notice This disambiguation page lists articles associated with the same personal name. If an article link led you here, you may wish to change the link to point directly to the intended article.

Retrieved from “http://en.wikipedia.org/wiki/John_Nugent”
Categories: Human name disambiguation pagesHidden category: All disambiguation pages

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Center for Alternatives to Animal Testing


Animal testing

Main articles
Animal testing
Alternatives to animal testing
Testing on: invertebrates ·
Frogs · Primates · Rabbits · Rodents
Animal testing regulations
History of animal testing
History of model organisms
IACUC
Laboratory animal sources
Pain and suffering in lab animals
Testing cosmetics on animals
Toxicology testing

Issues
Biomedical Research
Animal rights/Animal welfare
Animals (Scientific Procedures) Act
Great ape research ban
International trade in primates

Controversial experiments
Britches · Brown Dog affair
Cambridge University primates
Pit of despair
Silver Spring monkeys
Unnecessary Fuss

Companies
Charles River Laboratories, Inc.
Covance · Harlan
Huntingdon Life Sciences
UK lab animal suppliers
Nafovanny · Shamrock

Groups/campaigns
Americans for Medical Progress
AALAS · AAAS
Boyd Group · BUAV
Dr Hadwen Trust · PETA · ALF
Foundation For Biomedical Research
National Anti-Vivisection Society
Physicians Committee
for Responsible Medicine

Primate Freedom Project
Pro-Test · SPEAK
Research Defence Society
Stop Huntingdon Animal Cruelty

Writers/activists
Colin Blakemore · Carl Cohen
Gill Langley · Ingrid Newkirk
Neal Barnard · Jerry Vlasak
Simon Festing · Tipu Aziz

Categories
Animal testing · Animal rights
Animal welfare

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Template:Animal rights

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The Johns Hopkins University Center for Alternatives to Animal Testing (CAAT) has worked with scientists since 1981 to find new methods to replace the use of laboratory animals in experiments, reduce the number of animals tested, and refine necessary tests to eliminate pain and distress. CAAT is an academic, science-based center affiliated with the Johns Hopkins Bloomberg School of Public Health.

CAAT promotes humane science by supporting the creation, development, validation, and use of alternatives to animals in research, product safety testing, and education. It is not an activist group; rather, it seeks to effect change by working with scientists in industry, government, and academia to find new ways to replace animals with non-animal methods, reduce the numbers of animals necessary, or refine methods to make them less painful or stressful to the animals involved.

CAAT also operates Altweb, a global clearinghouse for information on alternatives to animal testing, and publishes a general animal news blog, A Boundless Ethic.

See also

  • Alternatives to animal testing
  • UCDavis Center for Animal Alternatives
  • Dr Hadwen Trust

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Basilica of Saint Joseph Proto-Cathedral


Façade of Proto-Cathedral


Interior showing altar

Contents

  • 1 Proto-Cathedral
    • 1.1 Construction
    • 1.2 Paintings from King Louis
    • 1.3 Historical significance
  • 2 Diocese of Bardstown
  • 3 References
  • 4 External links

Proto-Cathedral

The Basilica of Saint Joseph Proto-Cathedral is a Roman Catholic parish church at 310 West Stephen Foster Avenue in Bardstown, Kentucky. It is the former cathedral mother church of the former Roman Catholic Diocese of Bardstown. During its years as a cathedral, its pastor was Benedict Joseph Flaget, the first and only Bishop of Bardstown.

Construction

The cornerstone was laid in July 16, 1816 with construction beginning thereafter. Materials used for it’s construction were found in the immediate area. The architect and builder was John Rogers; of Baltimore. By 1819 it was sufficiently completed for Mass to be held. The interior was fully complete by 1823. Many of the paintings and interior decorations were donated by Pope Leo XII, King Louis-Philippe of France and others. The gift from the King of France included paintings by Rubens, Murillo, Van Dyke and others. Gifts of royal embroidered vestments the handwork of the the queen and her court, and sacremental vessels were also made.

Paintings from King Louis

  • The Crucifixtion, Phillippe Van Bree
  • The Flaying of St. Bartholemew, Rubens
  • Descent of the Holy Ghost, Van Eyck
  • The Winged St. Mark, Van Dyck
  • St. Peter in Chains, Van Dyck
  • St. John the Baptist, Van Dyck
  • The Coronation in Heaven of the Mother of God, Murillo
  • The Annunciation, Van Eyck
  • Teaching the Boys, artist unknown

The paintings were stolen from the church November 12, 1952. The paintings were valued at $875,000 at the time. Beginning in April, 1953 the paintings were recovered. By May 1953 all nine paintings were recovered.

Historical significance

The proto-cathedral is the first Roman Catholic Cathedral west of the Allegheny Mountains. On January 9, 1974, the proto-cathedral was listed on the National Register of Historic Places. On June 3, 1976 the listing was expanded to include the adjacent Spalding Hall and Flaget Hall, originally St. Joseph College.

Over time, the location of the cornerstone was unknown, until 1980 when it was uncovered during restoration of part of the building.

In August, 2001, Pope John Paul II elevated it to the honor of a minor basilica church and an umbraculum was installed at the altar.

Diocese of Bardstown

The Diocese of Bardstown was erected into an Episcopal See April 8, 1808 by the Holy See. This diocese was the first inland diocese in the United States. The primal see or proto-Diocese of the United States, the Diocese of Baltimore, was subdivided into the dioceses of Boston, New York, Philadelphia, and Bardstown (Baltimore becoming the Archdiocese of Baltimore).

The See of the diocese of Bardstown was moved to Louisville in 1841, and St. Joseph’s was replaced as Cathedral by St. Louis Church (now the Cathedral of the Assumption) on Fifth Street in Downtown Louisville. St. Joseph’s therefore became the “proto” or first cathedral. The Diocese of Louisville was elevated to Archdiocese in 1939.

In 1995 the Holy See honored the proto-cathedral by naming retired Bishop Charles G. Maloney, the Titular Bishop of Bardstown. Maloney died on April 30, 2006. He was succeeded by Bishop Daniel E. Thomas on June 8, 2006.

References

  1. ^ The Zanesville (Ohio) Times Recorder, May 14, 1939, page 7
  2. ^ the Altoona Mirror, March 30, 1928, page 2.
  3. ^ The Chicago Daily Herald, October 21, 1949, page 17
  4. ^ The Brownsville (Texas) Herald, June 7, 1941, page 2
  5. ^ The Kokomo (Indiana) Tribune, November 13, 1952, page 1
  6. ^ The Albuquerque (New Mexico) Journal, May 21, 1953
  7. ^ The Casa Grande (Arizona) Dispatch, September 7, 2002, page 12

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